Bangladeshi Singer James Concert Cancelled After Mob Violence

The James concert cancelled Bangladesh incident has intensified concerns over rising attacks on cultural spaces in the country. A live concert by legendary Bangladeshi rock singer James was abruptly cancelled on Friday night in Faridpur after a mob allegedly hurled stones and bricks at the venue.

According to local media reports, the incident forced organisers to call off the event midway, citing safety concerns for students, performers, and attendees.

Event Organised for School Anniversary

The concert took place at the Faridpur District School campus as part of the institution’s 185th anniversary celebrations. Organisers had planned the show to begin around 9 pm local time, with extensive preparations already completed.

James, known for popular tracks such as “Bheegi bheegi si hain raatein”, was set to perform before a large student audience. However, moments before the show could begin, chaos broke out outside the venue.

Mob Tried to Force Entry, Organisers Say

Organisers told local media that the attackers were outsiders who attempted to forcibly enter the venue and seize control of the stage.

“They tried to break through the security and take over the stage area,” said Rajibul Hasan Khan, head of the publicity and media committee for the event. He added that organisers had no clarity on who the attackers were or what motivated the violence.

Following the disturbance, the show was cancelled on the instructions of the Faridpur deputy commissioner, organisers said.

Students Injured During the Attack

Reports said that students present at the venue attempted to resist the mob. During the clash, 15 to 20 students of Faridpur Zilla School suffered injuries after being struck by bricks and stones.

Eyewitnesses described scenes of panic as students rushed for safety. Medical assistance was provided to the injured, though no fatalities were reported.

Videos circulating on social media appeared to show individuals throwing bricks at the venue, but local media outlets said they could not independently verify the footage.

Third Cultural Attack in a Week

The Faridpur incident marks the third attack on cultural figures or institutions in Bangladesh this week. Earlier, mobs vandalised and set fire to offices associated with Chhayanaut and Udichi Shilpi Goshti (Udichi Artists’ Forum)—two prominent cultural organisations.

Artists, writers, and performers have expressed alarm over what they see as a growing pattern of intimidation targeting cultural expression.

Several commentators blamed extremist elements, though authorities have not officially confirmed the identity or affiliation of those involved.

Political Tensions Ahead of Elections

The violence comes at a sensitive political moment for Bangladesh. The country is scheduled to hold general elections on February 12, less than two months from now.

Bangladesh has witnessed a surge in protests, attacks on student leaders, incidents of lynching, and allegations of violence against minority communities, including Hindus. These developments have drawn increased international attention and criticism.

The unrest has also renewed scrutiny of the Muhammad Yunus–led administration, with critics accusing it of failing to prevent violence and protect freedom of expression.

Artists Express Growing Fear

Cultural figures have warned that repeated attacks on concerts, institutions, and artists could create a climate of fear. Many argue that music and art have historically played a crucial role in Bangladesh’s social and political identity.

“This is not just about one concert,” a Dhaka-based writer said. “It is about whether artists can perform freely without fear.”
As of now, authorities have not announced arrests related to the Faridpur incident. Organisers said they expect a formal investigation to identify those responsible and ensure accountability.

For fans and students, the cancelled concert left behind disappointment—and a deeper concern about safety at public cultural events.

With elections approaching and tensions running high, the attack on James’ concert has become a symbol of broader anxieties gripping Bangladesh’s cultural and political landscape.